How do we communicate when language isn't enough? In this series, David Glinski explores gesture as a form of language where reach, pause, and posture hold meaning that speech cannot. Born in 1995 to a Polish father and Ecuadorian mother, Glinski grew up navigating two cultures with distinct ways of expressing emotion. Body language and gesture often formed the common ground between them, an early lesson that meaning is rarely carried by words alone. A self-taught artist who began painting during the COVID quarantine, Glinski treats the studio as a place to discover a visual language uniquely his own. Working in what he calls "fluid impressionism," Glinski uses poured acrylics and mixed media to create layered compositions. Across the works, the hand becomes both a symbol and instrument.  This exhibition marks Glinski's return to New York, a homecoming and a new chapter of artistic self-definition, rooted in movement, shaped by culture, and forged through the quiet clarity of gesture.